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• 'The Letter' Released: 17 May 2004 • 'You Come Through' Released: 19 July 2004 • 'Shame' Released: 20 September 2004 Uh Huh Her is the sixth by English musician. The album was written, recorded and produced over a two-year period by the singer-songwriter herself. She also played every instrument on the album (the first such project since in 1993) with the exception of the final drum tracks, added by long-time collaborator. It was released on 31 May 2004 in the United Kingdom, and 8 June 2004 in the United States. To support the release, Harvey toured about eight months. She performed in various European summer festivals such as and opened for in a few dates. During the same tour she also performed the album's unreleased title-track.

Uh Huh Her debuted and peaked at number 12 in the and has been certified Silver by the. It became Harvey's highest charting album to date in the U.S., peaking at number 29 in the, and had sold more than 135,000 copies there as of 2005, according to AskBillboard. Although it charted higher than in many territories, Uh Huh Her failed to achieve its predecessor's chart longevity and crossover interest. The album received largely positive reviews upon its release, although there was some criticism of its production. It currently holds a 79 out of 100 metascore at based upon 28 reviews, indicating 'Generally Favorable Reviews'.

Uh Huh Her also earned PJ Harvey nominations to awards such as the and the. Blantika musik. barat. Contents • • • • • • • • • • • History [ ] The album was written and recorded over a two-year period in Dorset, East Devon and Los Angeles. Much of the recording was done alone by Harvey using her four-track and eight-track home studio, guitar, keyboards and drum machine. For the first time since 1993's album, she produced it herself and played every instrument bar the final drum tracks, which were handled by her longtime collaborator. Final recording and mixing was done by Head at the Presshouse Studio in rural East Devon in autumn/winter 2003. Harvey told magazine, 'I don't think 'tender' is a word that could be applied to anything I've written before, but that's how I feel about this album and I'm really pleased about it. Some of the songs are very gentle, very loving; with others I had a lot of fun in the words I used and the way I sang them.'

She explained to magazine how she 'wanted to get back to the earthy, rootsy, more dirty side of things' following the popular success of her last album, 2000's Stories from the City, Stories from the Sea. She said, 'I wanted this record to be simple, I wanted it to be ugly in some places, I wanted it to have a swagger to it. But also a real honesty and intimacy. I wanted a warmness and closeness and I wanted to make a welcoming record.'

To magazine she said that, in contrast to the extreme darkness of some of her earlier LPs, 'I find an enormous amount of openness and hope on this record. 'The Desperate Kingdom of Love' or 'You Come Through' I find incredibly optimistic and tender.' Harvey also explained to Tracks magazine that, 'I was looking for distressed, debased sounds. So all of the guitars are either tuned so low that it's hard to detect what notes they're playing or they're baritone guitars or they're played through the shittiest amps I could find.' On the inside sleeve of the album cover are a long set of self-portrait photographs that Harvey took over the years, and a series of scribbled annotations she collected during the songwriting process of Uh Huh Her – notes to herself such as 'Scare yourself', 'Too normal?

And 'All that matters is my voice and my story' (a piece of advice given to her by her friend ). She admitted to Shaken Stir that producing the record on her own was 'a completely draining, disorientating, exasperating, invigorating experience' and 'one of the hardest pieces of work I've ever done. I couldn't say that this record was an enjoyable experience.